Waialua Sugar Plantation History Brought to Life

On Saturday, June 22, 6:00 to 9:00 p.m., the North Shore Chamber of Commerce’s Historic Preservation Committee will present an evening program on the history of the Waialua Sugar Company, to be held at the historic Haleiwa Gym (across from the Haleiwa Post Office). The ambitious lineup includes:

•  an illustrated lecture with rare photos by Haleiwa historian Boyd Ready;

•  a brief talk by Barbara Kawakami based on her book, Japanese Immigrant Clothing in Hawaii, 1885-1941;

•  dramatic readings by local actors Nyla Fujii-Babb, Will Ha‘o, and Mel Vios from oral histories done by UH Mānoa’s Center for Oral History. The center’s Warren Nishimoto and Michi Kodama-Nishimoto, coauthors of Talking Hawai‘i’s Story: Oral Histories of an Island People, will introduce and moderate the dramatizations.

•  a slideshow presentation of Waialua Plantation images taken from 1970 to 2000 by photojournalist Franco Salmoiraghi.

The event will also offer refreshments, music, displays by Hawai‘i Plantation Village and Hawaiian Railway Society, and books will be available for purchase. Tickets are $12 at the door or presold here. For more information call (808) 637-4558 or visit http://www.gonorthshore.org.

Chinese Modernity and Global Biopolitics Book Review Seminar

Sheldon Lu will be participating in a book review seminar of his recent book Chinese Modernity and Global Biopolitics: Studies in Literature and Visual Culture, at City University of Hong Kong on Friday, June 28, 4:30-6:30 pm. For more information, go to: http://ctl.cityu.edu.hk/NewsCentre/f_usr/topic.asp?TOPIC_ID=1356&FORUM_ID=8&CAT_ID=1&FORUM_TITLE=Upcoming+Events.

Professor Lu is also the editor (with Emilie Yueh-yu Yeh) of Chinese-Language Film: Historiography, Poetics, Politics and Transnational Chinese Cinemas: Identity, Nationhood, Gender.

UH Press Titles Make the 2013 ICAS Book Prize Short List

Two UH Press titles have been short listed for the 2013 ICAS (International Convention of Asia Scholars) Book Prize in the humanities and the social sciences. Winners will be announced during the ICAS Book Prize Awards Ceremony on June 25, 2013, in Macao. Press director Michael Duckworth, marketing manager Colins Kawai, and acquisitions editor Pamela Kelley will be attending this year’s meeting.

Chinese Architecture and the Beaux-Arts, edited by Jeffrey W. Cody, Nancy S. Steinhardt, and Tony Akin

“[The] fascinating and under-appreciated cross-pollination of Eastern and Western architecture is thoroughly examined in [this] absorbing new book. . . . Although filled with handsome photos contemporary and historic, Chinese Architecture and the Beaux-Arts is no coffee-table book — this volume is a thoughtful and far-ranging account of international trends in architecture, which have been too little known in the U.S. It fills an important need and is certain to find its place in every serious library of architectural history.” —Traditional Building (2011)

Burning Money: The Material Spirit of the Chinese Lifeworld, by C. Fred Blake

“Blake fully illustrates the common practice of burning paper money in the daily lives of many people throughout China, exploring the forces that have continued and transformed this old tradition from old times up to the present. His book is innovative and comprehensive in its interpretation of this common custom in China and will be welcomed by anyone interested in the living traditions and cultures of China.” —Asian Ethnology (71:2, 2012)

Faking It in China – Original Copies at the NYR Blog

What drives China’s obsession with foreign styles? In a New York Review of Books blog post, “Faking It in China,” Ian Johnson provides some answers in his discussion of Bianca Bosker’s Original Copies: Architectural Mimicry in Contemporary China:

“In her fascinating new book . . . Bosker focuses on the suburbs for the upper class that began to be built in the late 1990s, following the privatization of real estate. These are not just individual buildings but entire streetscapes, with cobblestone alleys, faux churches (often used as concert halls), towers, and landscaping designed to reproduce the feel of European and North American cities. . . . Original Copies is filled with analysis about why these developments flourish.”

Original Copies is part of the Spatial Habitus: Making and Meaning in Asia’s Architecture series and is
published in association with Hong Kong University Press.

For more on China’s architectural mimicry:
Copycat Architects in China Take Aim at the Stars: http://www.spiegel.de/international/zeitgeist/pirated-copy-of-design-by-star-architect-hadid-being-built-in-china-a-874390.html
China’s Copycat Cities: https://uhpress.wordpress.com/2012/12/03/foreign-policy-article-on-chinas-copycat-cities/

Warehouse Closing for Inventory

Our Hawai‘i and Pennsylvania warehouses will be closed for inventory June 18–July 1. Shipments will resume July 2.

Dread and Enchantment in an Indonesian Literary Archive

The Indonesian writer Pramoedya Ananta Toer made a distinction between a “downstream” literary reality and an “upstream” historical reality. Pramoedya suggested that literature has an effect on the upstream flow of history and that it can in fact change history. In Situated Testimonies: Dread and Enchantment in an Indonesian Literary Archive, Laurie J. Sears illuminates this process by considering a selection of Dutch Indies and Indonesian literary works that span the twentieth century and beyond and by showing how authors like Louis Couperus and Maria Dermoût help retell and remodel history.

“This is a remarkable book in the way it attempts to tease out and crash through the barriers of self-restricting and self-restraining area studies. Situated Testimonies poses a challenge to Indonesianists as well as to many beyond the field. It is an adventure embarked upon with the help of Freud, Lacan, and other friends and foes. Sears demonstrates both the benefits and tribulations of such an endeavor. At its best, her book attains an impressive simplicity as it uncovers a sense of the world in both its subjects—the colonial and postcolonial literary figures—and its author as she thinks and writes about them.” —Rudolf Mrazek, University of Michigan

June 2013 / ISBN 978-0-8248-3683-2 / $57.00 (CLOTH)