University of Hawai‘i Press is exhibiting at the College Art Association annual conference this week, February 11–14, at the Hilton New York to showcase new and recent titles from our latest Fall and Spring catalogs. Please visit us at exhibit booth 1404 where UHP director Michael Duckworth will be available to discuss our titles and publishing program.
Highlights from our display include:
Hokusai’s Great Wave: Biography of a Global Icon
by Christine Guth
272 pages | 70 color and 5 black & white illustrations
Paper | 978-0-8248-3960-4 | $20.00
Cloth | 978-0-8248-3959-8 | $57.00
The Mongol Century: Visual Cultures of Yuan China, 1271–1368
by Shane McCausland
288 pages, 162 illustrations, 141 in color
Cloth | 978-0-8248-5145-3 | $65.00
Published in association with Reaktion Books
For sale only in the United States and Canada
Partners in Print: Artistic Collaboration and the Ukiyo-e Market
by Julie Nelson Davis
264 pages, 101 color illustrations
Cloth | 978-0-8248-3938-3 | $50.00
Allegories of Time and Space: Japanese Identity in Photography and Architecture
by Jonathan M. Reynolds
328 pages | 23 color and 60 black & white illustrations
Cloth | 978-0-8248-3924-6 | $45.00
Booth visitors can take advantage of the conference offer of a 20% discount and free shipping in the U.S. Free shipping applies only to orders placed at the conference.
UPDATE: Due to weather, the launch date has been postponed to November 9, 2:00 to 4:00 p.m. at Native Books/Nā Mea Hawai‘i in Ward Warehouse to celebrate the publication of the third volume in the Hawai‘inuiākea series, ‘Ike Ulana Lau Hala: The Vitality and Vibrancy of Lau Hala Weaving Traditions in Hawai‘i. The free event will feature short presentations and readings by the contributing authors; hands-on activities, including lau hala weaving and hala lei making; and educational displays set up in the store. (The launch was originally scheduled for October 19.)
See also the new release post.
NEW RELEASE and EVENT
Modern Ink: The Art of Qi Baishi
written by Britta Erickson, Craig Yee, and Jung Ying Tsao
2014 | 144 pages, 109 color illustrations
Paper | ISBN: 978-0-8248-4766-1 | $38.00
Published in association with Marquand Books and the Mozhai Foundation
Coinciding with today’s opening of Qi Baishi’s work at the Honolulu Museum of Art, UH Press is releasing an impressive new volume filled with color illustrations of his work.
Born into a poor farming family and coming of age during China’s century of civil strife, Qi Baishi transformed the elite brush art of China’s literati scholars into a universal art form appreciated by people of all social backgrounds. His distinctly modern art language breaks through class and cultural barriers through use of expressive “carved” brushwork, juxtaposition of vibrant colors against deep and rich ink tones, poetic economy in form and composition, and choice of emotionally resonant subject matter. For these reasons, Qi Baishi’s art is the ideal gateway through which art lovers of any class or culture can learn about the millenia-old tradition of Chinese brush painting.
The exhibition closes on January 25, 2015.
Cartographic Traditions in East Asian Maps
written by Richard A. Pegg
2014 | 140 pages | 130 color illustrations
Cloth | ISBN 978-0-8248-4765-4 | $40.00
Published in association with MacLean Collection
Cartographic Traditions in East Asian Maps is focused on a group of maps from the MacLean Collection, one of the world’s largest private collections of maps. Included are are eighteenth and nineteenth-century maps from the late Qing dynasty in China, the Joseon dynasty in Korea and the Edo and Meiji periods in Japan illustrating late traditions in the region’s history. This book provides some of the particular practices and relationships between text and image in East Asian map making that are unique in world cartography. Often particular map making characteristics are not recognized as unique within their own cultural contexts, and so it is only through the process of comparing and contrasting that these qualities emerge. This survey of selected maps proves extremely useful in revealing certain similarities and distinctive differences in the representations of space, both real and imagined, in early modern cartographic traditions of China, Korea and Japan.
A History of Contemporary Jewellery in Australia and New Zealand: Place and Adornment
written by Damian Skinner and Kevin Murray
2014 | 248 pages | 228 color illustrations
Cloth | ISBN 978-0-8248-4687-9 | $50.00
Published in association with David Bateman Ltd
Not for sale in New Zealand
“While connections in contemporary jewellery practice have been identified from time to time between Australia and New Zealand, this book is the first to investigate in detail their shared influences and values and evolving expressions of place and identity. Informative and at times provocative, Place and Adornment provides both a history and a valuable platform for thinking about contemporary jewellery from Australasia in an international forum.” —Dr. Grace Cochrane, AM, independent curator, writer, consultant.
“A wonderful contribution to a brilliant field, this book is an unexpected and welcome breakthrough. Packed with information, images and insights, its crucial innovation is to consider contemporary jewellery from Australia and Aotearoa New Zealand, neighbouring countries with very different cultural histories.” —Julie Ewington, Head of Australian Art, Queensland Art Gallery