Available now! Familial Properties: Gender, State, and Society in Early Modern Vietnam, 1463–1778, find it here: https://buff.ly/2JtzUBb
Familial Properties is the first full-length history of Vietnamese gender relations in the precolonial period. Author Nhung Tuyet Tran shows how, despite the bias in law and practice of a patrilineal society based on primogeniture, some women were able to manipulate the system to their own advantage. Women succeeded in taking pragmatic advantage of socioeconomic turmoil during a time of war and chaos to acquire wealth and, to some extent, control what happened to their property.
Available now! The Politics of Painting: Fascism and Japanese Art during the Second World War, find it here: https://buff.ly/2sQAHVy
This book examines a set of paintings produced in Japan during the 1930s and early 1940s that have received little scholarly attention. Asato Ikeda views the work of four prominent artists of the time—Yokoyama Taikan, Yasuda Yukihiko, Uemura Shōen, and Fujita Tsuguharu—through the lens of fascism, showing how their seemingly straightforward paintings of Mount Fuji, samurai, beautiful women, and the countryside supported the war by reinforcing a state ideology that justified violence in the name of the country’s cultural authenticity. She highlights the politics of “apolitical” art and challenges the postwar labeling of battle paintings—those depicting scenes of war and combat—as uniquely problematic.
Available now! Down and Out in Late Meiji Japan, find it here: https://buff.ly/2sS9bXX
A sweeping work of original scholarship, Down and Out in Late Meiji Japan examines the daily lives of Japan’s hinmin (poor people), particularly urban slum-dwellers, in the late 1800s and early 1900s. James Huffman draws on newspaper articles, official surveys, and reminiscences to recreate for readers life as experienced by the poor themselves—something not attempted before in scholarship on this era. He begins by explaining the causes behind the fast-increasing numbers of poor neighborhoods in major cities after the late 1880s and goes on to describe in fascinating detail what those neighborhoods looked like and what their inhabitants did for a living: collecting night soil, weaving textiles, making match boxes and other piecework, pulling rickshaws, building the structures that made Japan “modern,” and supplying much of the era’s entertainment, including sex. He also explores what hinmin did outside of work: what they ate, where they did their wash, how they stretched their meager budgets by using pawn brokers, and how they dealt with illness and other disasters and grappled with the painful necessity of sending children to work rather than to school.
Available now! Translating China as Cross-Identity Performance, find it here: https://buff.ly/2Jv2h50
This provocative new book applies the perspective of cross-identity performance to the translation of a wide variety of Chinese texts into English and French from the eighteenth to the twentieth centuries. Drawing on scholarship in cultural studies, queer studies, and anthropology, James St. André argues that many cross-identity performance techniques, including blackface, passing, drag, mimicry, and masquerade, provide new insights into the history of translation practice. He makes a strong case for situating translation in its historical, social, and cultural milieu, reading translated texts alongside a wide variety of other materials that helped shape the image of “John Chinaman.”
Available now! Song King: Connecting People, Places, and Past in Contemporary China, find it here: https://buff.ly/2kFBpRK
When itinerant singers from China’s countryside become iconic artists, worlds collide. The lives and performances of these representative singers become sites for conversations between the rural and urban, local and national, folk and elite, and traditional and modern. In Song King: Connecting People, Places, and Past in Contemporary China, Levi S. Gibbs examines the life and performances of “Folksong King of Western China” Wang Xiangrong (b. 1952) and explores how itinerant performers come to serve as representative symbols straddling different groups, connecting diverse audiences, and shifting between amorphous, place-based local, regional, and national identities. Moving from place to place, these border walkers embody connections between a range of localities, presenting audiences with traditional, modern, rural, and urban identities among which to continually reposition themselves in an evolving world.
Available now! Akutō and Rural Conflict in Medieval Japan, find it here: https://buff.ly/2s2jyIR
This volume offers the first in-depth analysis in English of an understudied phenomenon in medieval Japanese history: the so-called akutō (literally, “evil bands”). Employing chronicles, laws, and legal documents from the thirteenth and fourteenth centuries, as well as recent Japanese scholarship, Morten Oxenboell examines the significance of akutō in legal proceedings to provide a nuanced understanding of how rural communities organized for and engaged in violent conflicts. He deconstructs the image of akutō as instigators of violence by underlining the significance of the term as a rhetorical device used by litigants to voice their grievances in Kamakura legal proceedings. The many instances in which akutō appear offer a clear example of the ways in which the new legal vocabulary concealed realities behind rhetorical flourishes and narratives of violence and predation. Violence was certainly a part of the negotiation for rights and privileges in the estate system, and Oxenboell demonstrates how conflicts developed and were untangled by local actors, who were rarely given a voice in sources from this period. By peeling away the rhetoric, he presents us a unique view of rural populations organizing their communities in the face of violence, whether as victims of outside aggression or as aggressors themselves against landlords or neighbors.
Available now! The Foresight of Dark Knowing: Chŏng Kam nok and Insurrectionary Prognostication in Pre-Modern Korea, find it here: https://buff.ly/2s68j1h
Written to inspire uprisings and foment dissatisfaction, the Chŏng Kam nok texts are anonymous and undated. (Most were probably written between the seventeenth and late nineteenth centuries.) In his expansive introduction to this first English translation, John Jorgensen notes that the work employs forms or codes of political prediction (Ch. tuch’en; Kor. toch’am) allied with Chinese geomancy (fengshui) but in a combination unique to Korea. The two types of codes appear to deal with different subjects—the potency of geographical locations and political predictions derived from numerological cycles, omens, and symbols—but both emerge from a similar intellectual sphere of prognostication arts that includes divination, the Yijing (Book of Changes), physiognomy, and astrology in early China, and both share theoretical components, such as the fluctuation of ki (Ch. qi). In addition to ambiguous and obscure passages, allusion and indirection abound; many predictions are attributed to famous people in the distant past or made after the fact to lend the final outcome an air of authority.
Available now! Karen Tei Yamashita: Fictions of Magic and Memory, find it here: https://buff.ly/2EOnPDv
The essays offer fresh and in-depth readings of the magic realist canvas of Through the Arc of the Rain Forest (1990); the Japanese emigrant portraiture of Brazil-Maru (1992); Los Angeles as rambunctious geopolitical and transnational fulcrum of the Americas in Tropic of Orange (1997); the fraught relationship of Japanese and Brazilian heritage and labor in Circle K Cycles (2001); Asian American history and politics of the 1960s in I Hotel (2010); and Anime Wong (2014), a gallery of performativity illustrating the contested and inextricable nature of East and West. This essay-collection explores Yamashita’s use of the fantastical, the play of emerging transnational ethnicity, and the narrative tactics of reflexivity and bricolage in storytelling located on a continuum of the unique and the communal, of the past and the present, and that are mapped in various spatial and virtual realities.
