This latest series from University of Hawai‘i Press aims at building a list of innovative, cutting-edge works with a focus on Asia or the presence of Asia in other continents and regions. Manuscripts and proposals exploring a wide range of issues and topics in the modern and contemporary periods are welcome—especially those dealing with literature, cinema, art, theater, media, cultural theory, and intellectual history, as well as subjects that cross disciplinary boundaries. The scholarship should combine solid research with an imaginative approach, theoretical sophistication, and stylistic lucidity.
Citing China: Politics, Postmodernism, and World Cinema, by Gina Marchetti (March 2018)
China’s Stefan Zweig: The Dynamics of Cross-Cultural Reception, by Arnhilt Johanna Hoefle (November 2017)
Contemporary Sino-French Cinemas: Absent Fathers, Banned Books, and Red Balloons, by Michelle E. Bloom (December 2015)
Fragrant Orchid: The Story of My Early Life, by Yoshiko Yamaguchi, Fujiwara Sakuya, translated by Chia-ning Chang (February 2015)
DV-Made China: Digital Subjects and Social Transformations after Independent Film, edited by Zhang Zhen and Angela Zito (May 2015)
From Fu Manchu to Kung Fu Panda: Images of China in American Film, by Naomi Greene (2013)
Remaking Chinese Cinema: Through the Prism of Shanghai, Hong Kong, and Hollywood, by Yiman Wang (2012)
Uneven Modernity: Literature, Film, and Intellectual Discourse in Postsocialist China, by Haomin Gong (2011)
Children of Marx and Coca-Cola: Chinese Avant-garde Art and Independent Cinema, by Xiaoping Lin (2010)
Cinema, Space, and Polylocality in a Globalizing China, by Yingjin Zhang (2009)
Queries and proposals may be sent to series editor Sheldon Lu, Comparative Literature Program, University of California, Sproul Hall, One Shields Ave, Davis, CA 95616; email@example.com. For additional information, contact Pamela Kelley, Editor, University of Hawai‘i Press, 2840 Kolowalu Street Honolulu, HI 96822; firstname.lastname@example.org.