Cloth | ISBN 978-0-8248-3982-6 | $57.00
“Sinophobia is a compelling, lucid, and enormously insightful account of recent anti-Chinese sentiment in Mongolia, and its findings should resonate broadly across both Asian and Eurasian studies. Throughout, Billé combines careful ethnography and instructive analyses of affect, language, desire, and anxiety. The result is a truly novel synthesis, an important contribution to social and cultural theories of violence.” —Douglas Rogers, Yale University
“This innovative book is the first to investigate state violence in early socialist Mongolia. Through his penetrating study of archives and personal memories, Kaplonski provides an extraordinary account of the brutal repression of Buddhism, along with a new critical argument about how such state interventions can be interpreted. This book is a must for all those interested in the modern history of Inner Asia.” —Caroline Humphrey, King’s College, University of Cambridge
2014 | 216 pages | 300 color illustrations
Paper | ISBN 978-0-8248-4756-2 | $28.00
Not for sale in East Asia, Australia, and New Zealand
Published in association with Hong Kong University Press
Villages in the City argues for the value of urban villages as places. To reveal their qualities, a series of drawings and photographs uncover the immense concentration of social life in their dense structures, and provide a peek into residents’ homes and daily lives. Essays by a number of experts give a deeper understanding on the topic, and help imagine how reinstating the focus on the village could lead to a richer, more variegated pathway of urbanization.
2014 | 144 pages, 109 color illustrations
Paper | ISBN: 978-0-8248-4766-1 | $38.00
Published in association with Marquand Books and the Mozhai Foundation
Coinciding with today’s opening of Qi Baishi’s work at the Honolulu Museum of Art, UH Press is releasing an impressive new volume filled with color illustrations of his work.
Born into a poor farming family and coming of age during China’s century of civil strife, Qi Baishi transformed the elite brush art of China’s literati scholars into a universal art form appreciated by people of all social backgrounds. His distinctly modern art language breaks through class and cultural barriers through use of expressive “carved” brushwork, juxtaposition of vibrant colors against deep and rich ink tones, poetic economy in form and composition, and choice of emotionally resonant subject matter. For these reasons, Qi Baishi’s art is the ideal gateway through which art lovers of any class or culture can learn about the millenia-old tradition of Chinese brush painting.