Posted by UH Press Marketing on 23 April 2014
The story of Catholicism and Protestantism in China, Japan, and Korea has been told in great detail. The existing literature is especially rich in documenting church and missionary activities as well as how varied regions and cultures have translated Christian ideas and practices. Less evident, however, are studies that contextualize Christianity within the larger economic, political, social, and cultural developments in each of the three countries and its diasporas.
The contributors to Encountering Modernity address such concerns and collectively provide insights into Christianity’s role in the development of East Asia and as it took shape among East Asians in the United States. The work brings together studies of Christianity in China, Taiwan, Korea, and Japan and its diasporas to expand the field through new angles of vision and interpretation. By moving beyond issues of missiology and church history, it asks how Christianity represented an encounter with modernity that set into motion tremendous changes throughout East Asia and in transnational diasporic communities in the United States.
Edited by Albert L. Park and David K. Yoo
2014 | 264 pages | 7 illustrations
ISBN: 978-0-8248-3947-5 | $42.00s | Cloth
Intersections: Asian and Pacific American Transcultural Studies
Posted in Asia, Asian & Pacific American studies, religion | Tagged: Intersections: Asian and Pacific American Transcultural Studies | Comments Off
Posted by UH Press Marketing on 22 April 2014
The Massie-Kahahawai case of 1931–1932 shook the Territory of Hawai‘i to its very core. Thalia Massie, a young Navy wife, alleged that she had been kidnapped and raped by “some Hawaiian boys” in Waikīkī. A few days later, five young men stood accused of her rape. Mishandling of evidence and contradictory testimony led to a mistrial, but before a second trial could be convened, one of the accused, Horace Ida, was kidnapped and beaten by a group of Navy men and a second, Joseph Kahahawai, lay dead from a gunshot wound. Thalia’s husband, Thomas Massie; her mother, Grace Fortescue; and two Navy men were convicted of the lesser charge of manslaughter, despite witnesses who saw them kidnap Kahahawai and the later discovery of his body in Massie’s car. Under pressure from Congress and the Navy, territorial governor Lawrence McCully Judd commuted their sentences. After spending only an hour in the governor’s office at ‘Iolani Palace, the four were set free.
Local Story is a close examination of how Native Hawaiians, Asian immigrants, and others responded to challenges posed by the military and federal government during the case’s investigation and aftermath. In addition to providing a concise account of events as they unfolded, the book shows how this historical narrative has been told and retold in later decades to affirm a local identity among descendants of working-class Native Hawaiians, Asians, and others—in fact, this understanding of the term “local” in the islands dates from the Massie-Kahahawai case. It looks at the racial and sexual tensions in pre–World War II Hawai‘i that kept local men and white women apart and at the uneasy relationship between federal and military officials and territorial administrators. Lastly, it examines the revival of interest in the case in the last few decades: true crime accounts, a fictionalized TV mini-series, and, most recently, a play and a documentary—all spurring the formation of new collective memories about the Massie-Kahahawai case.
Written by John P. Rosa
2014 | 176 pages
Cloth 978-0-8248-2825-7, $45.00
Paper 978-0-8248-3970-3, $19.99
Posted in Hawaii, history, Pacific, sociology | Comments Off
Posted by UH Press Marketing on 21 April 2014
The life and work of Kim Iryŏp (1896–1971) bear witness to Korea’s encounter with modernity. A prolific writer, Iryŏp reflected on identity and existential loneliness in her poems, short stories, and autobiographical essays. As a pioneering feminist intellectual, she dedicated herself to gender issues and understanding the changing role of women in Korean society. As an influential Buddhist nun, she examined religious teachings and strove to interpret modern human existence through a religious world view. Originally published in Korea when Iryŏp was in her sixties, Reflections of a Zen Buddhist Nun (Ŏnŭ sudoin ŭi hoesang) makes available for the first time in English a rich, intimate, and unfailingly candid source of material with which to understand modern Korea, Korean women, and Korean Buddhism.
Throughout her writing, Iryŏp poses such questions as: How does one come to terms with one’s identity? What is the meaning of revolt and what are its limitations? How do we understand the different dimensions of love in the context of Buddhist teachings? What is Buddhist awakening? How do we attain it? How do we understand God and the relationship between good and evil? What is the meaning of religious practice in our time? We see through her thought and life experiences the co-existence of seemingly conflicting ideas and ideals—Christianity and Buddhism, sexual liberalism and religious celibacy, among others.
This volume challenges readers with her creative interpretations of Buddhist doctrine and her reflections on the meaning of Buddhist practice. In the process she offers insight into a time when the ideas and contributions of women to twentieth-century Korean society and intellectual life were just beginning to emerge from the shadows, where they had been obscured in the name of modernization and nation-building.
Written by Kim Iryŏp
Translated by Jin Y. Park
2014 | 328 pages
Cloth ISBN 978-0-8248-3878-2, $49.00
Korean Classics Library: Philosophy and Religion
Posted in Asia, Korea, poetry, religion | Tagged: Korean Classics Library: Philosophy and Religion | Comments Off
Posted by UH Press Marketing on 17 April 2014
How can we qualify slowness in cinema? What is the relationship between a cinema of slowness and a wider sociocultural “slow movement”? A body of films that shares a propensity toward slowness has emerged in many parts of the world over the past two decades. This is the first book to examine the concept of cinematic slowness and address this fascinating phenomenon in contemporary film culture.
Providing a critical investigation into questions of temporality, materiality, and aesthetics, and examining concepts of authorship, cinephilia, and nostalgia, Song Hwee Lim offers insight into cinematic slowness through the films of the Malaysian-born, Taiwan-based director Tsai Ming-liang. Through detailed analysis of aspects of stillness and silence in cinema, Lim delineates the strategies by which slowness in film can be constructed. By drawing on writings on cinephilia and the films of directors such as Abbas Kiarostami, Hou Hsiao-hsien, and Nuri Bilge Ceylan, he makes a passionate case for a slow cinema that calls for renewed attention to the image and to the experience of time in film.
Tsai Ming-liang and a Cinema of Slowness will speak to readers with an interest in art cinema, queer studies, East Asian culture, and the question of time. In an age of unrelenting acceleration of pace both in film and in life, this book invites us to pause and listen, to linger and look, and, above all, to take things slowly.
Written by Song Hwee Lim
2014 | 240 pages | 29 illustrations
ISBN: 978-0-8248-3684-9 | $45.00s | Cloth
Posted in art & visual culture, Asia, film, queer studies | Comments Off
Posted by UH Press Marketing on 15 April 2014
University of Hawai‘i Press is exhibiting at two conferences this week, showcasing new and recent titles from our Spring catalog as well as our Asian Studies catalog.
In San Francisco from April 16-19 at the Grand Hyatt for the Association for Asian American Studies Conference, acquisitions editor Masako Ikeda will be available to meet with prospective authors.
In Chicago, editor Stephanie Chun will be at the Popular Culture Association/American Culture Association Conference from April 16-19 at the Marriott Chicago.
Some titles to look out for at both meetings: From Fu Manchu to Kung Fu Panda: Images of China in American Film, Scrutinized!: Surveillance in Asian North American Literature, Dubious Gastronomy: The Culture Politics of Eating Asian in the USA, and Capturing Contemporary Japan: Differentiation and Uncertainty.
Please visit us to see our latest titles and take advantage of the conference offer of a 20% discount and free shipping in the U.S. Free shipping applies only to orders received or placed at the conference.
Posted in art & visual culture, Asia, Asian & Pacific American studies, catalogs, China, cultural studies, exhibits, Japan, Korea, Okinawa, South Asia, Southeast Asia | Tagged: American Culture Association Conference, annual meeting, Association for Asian American Studies, conferences, Popular Culture Association Conference | Comments Off
Posted by UH Press Marketing on 14 April 2014
Have you ever wondered where waves come from? What makes every one different, why some peel nicely and others just close out? Why, some days, waves come in sets of six and others in sets of three, and what factors affect the behavior of a surfing break? If you have, this book is for you.
Now in its third edition, Surf Science is the first book to talk in depth about the science of waves from a surfer’s point of view. It fills the gap between surfing books and waves textbooks and will help you learn how to predict surf. You don’t need a scientific background to read it—just curiosity and a fascination for waves.
Written by Tony Butt
2014 | 136 pages
Paper ISBN 978-0-8248-3954-3, $35.00
Posted in guide book, ocean, science, sports, surfing | Comments Off
Posted by UH Press Marketing on 10 April 2014
Over the last forty years, surfing has emerged from its Pacific islands origins to become a global industry. Since its beginnings more than a thousand years ago, surfing’s icon has been the surfboard—its essential instrument, the point of physical connection between human and nature, body and wave. To a surfer, a board is more than a piece of equipment; it is a symbol, a physical emblem of cultural, social, and emotional meanings. Based on research in three important surfing locations—Hawai‘i, southern California, and southeastern Australia—this is the first book to trace the surfboard from regional craft tradition to its key role in the billion-dollar surfing business.
The surfboard workshops of Hawai‘i, California, and Australia are much more than sites of surfboard manufacturing. They are hives of creativity where legacies of rich cultural heritage and the local environment combine to produce unique, bold board designs customized to suit prevailing waves. The globalization and corporatization of surfing have presented small, independent board makers with many challenges stemming from the wide availability of cheap, mass-produced boards and the influx of new surfers. The authors follow the story of board makers who have survived these challenges and stayed true to their calling by keeping the mythology and creativity of board making alive. In addition, they explore the heritage of the craft, the secrets of custom board production, the role of local geography in shaping board styles, and the survival of hand-crafting skills.
From the olo boards of ancient Hawaiian kahuna to the high-tech designs that represent the current state of the industry, Surfing Places, Surfboard Makers offers an entrée into the world of surfboard making that will find an eager audience among researchers and students of Pacific culture, history, geography, and economics, as well as surfing enthusiasts.
Written by Andrew Warren and Chris Gibson
2014 | 288 pages | 35 illustrations
Cloth ISBN 978-0-8248-3828-7, $55.00
Paper ISBN 978-0-8248-3943-7, $28.00
Posted in Hawaii, outdoor recreation, surfing | Comments Off
Posted by UH Press Marketing on 8 April 2014
Recasting Red Culture turns a critical eye on the influential proletarian cultural movement that flourished in 1920s and 1930s Japan. This was a diverse, cosmopolitan, and highly contested moment in Japanese history when notions of political egalitarianism were being translated into cultural practices specific to the Japanese experience. Both a political and historiographical intervention, the book offers a fascinating account of the passions—and antinomies—that animated one of the most admirable intellectual and cultural movements of Japan’s twentieth century, and argues that proletarian literature, cultural workers, and institutions fundamentally enrich our understanding of Japanese culture.
Weaving over a dozen translated fairytales, poems, and short stories into his narrative, Samuel Perry offers a fundamentally new approach to studying revolutionary culture. By examining the margins of the proletarian cultural movement, Perry effectively redefines its center as he closely reads and historicizes proletarian children’s culture, avant-garde “wall fiction,” and a literature that bears witness to Japan’s fraught relationship with its Korean colony. Along the way, he shows how proletarian culture opened up new critical spaces in the intersections of class, popular culture, childhood, gender, and ethnicity.
Written by Samuel Perry
2014 | 248 pages | 12 illustrations
ISBN: 978-0-8248-3893-5 | $49.00s | Cloth
Posted in Asia, history, Japan, literature, politics & government | Comments Off