The Paul Togawa Quartet, circa late 1950s. L to R: Gabe Baltazar, Paul Togawa, Dick Johnston, Buddy Woodson.
Broadcast journalist Heidi Chang‘s story on Gabe Baltazar Jr. as a pioneering Asian American jazz musician aired internationally on Voice of America. The show is archived on the VOA website; click here to read and listen (and comment!). It reveals just a sampling of what is in Gabe’s autobiography, If It Swings, It’s Music.
The plays presented in The Bunraku Puppet Theatre of Japan: Honor, Vengeance, and Love in Four Plays of the 18th and 19th Centuries, translated and annotated by Stanleigh H. Jones, were first performed between 1769 and 1832, a time when the Japanese puppet theatre known as Bunraku was beginning to lose its pre-eminence to Kabuki. During this period, however, several important puppet plays were created that went on to become standards in both the Bunraku and Kabuki repertoires; three of the plays in this volume achieved this level of importance. This span of some sixty-odd years was also a formative one in the development of how plays were presented, an important feature in the modern staging of works from the traditional plebeian theatre. Only a handful of complete and uncut plays—often as much as ten hours long—are produced in Bunraku or Kabuki nowadays; included here is one of these. Two among the four plays contained in this volume are examples of the much more common practice of staging a single popular act or scene from a much longer drama that itself is seldom, if ever, performed in its entirety today.
Newly translated and illustrated for the general reader and the specialist, the plays are accompanied by informative introductions, extensive notes on stage action, and discussions of the various changes that Bunraku underwent, particularly in the latter half of the eighteenth century, its golden age.
December 2012 / ISBN 978-0-8248-3680-1 / $29.00 (PAPER)