From melodrama to Cantonese opera, from silents to 3D animated film, Remaking Chinese Cinema: Through the Prism of Shanghai, Hong Kong, and Hollywood, by Yiman Wang, traces cross-Pacific film remaking over the last eight decades. Wang revolutionizes our understanding of Chinese cinema as national cinema. Against the diffusion model of national cinema spreading from a central point—Shanghai in the Chinese case—she argues for a multi-local process of co-constitution and reconstitution. In this spirit, Wang analyzes how southern Chinese cinema (huanan dianying) morphed into Hong Kong cinema through trans-regional and trans-national interactions that also produced a vision of Chinese cinema.
“This study of remaking in Chinese cinema is both one of the most sophisticated and insightful analyses of the remake phenomenon in general and a work that reveals a series of fascinating and hitherto occluded connections and links in Chinese-language film history. Each case study is a revelation for the reader. This rigorous and original piece of scholarship reveals, investigates and narrates forgotten connections across borders and between major filmmaking cities and in this way makes new contributions to film history. The primary readership for the work will be students and scholars of Chinese cinema, but its contribution to larger debates about transnational cinema and remaking in general should be recognized and it should find a wider readership in cinema studies, as well as in Chinese studies.” —Chris Berry, University of London
March 2013 / ISBN 978-0-8248-3607-8 / $49.00 (CLOTH)