Launched in January 2012, Project MUSE’s University Press Content Consortium (UPCC) e-book collections feature more than 14,000 electronic titles from 66 university press and scholarly publishers, including UH Press. The collections provide libraries, researchers, and students access to high quality book-length scholarship, including both new and classic titles, fully integrated with over 500 journal titles. Visit http://muse.jhu.edu for more information.
Glenn Wharton will hold a book launch for The Painted King: Art, Activism, and Authenticity in Hawai‘i at 6:00-7:30 pm, Department of Social and Cultural Analysis, New York University, 20 Cooper Square, 4th Floor. Presenters at the event will also include Mitchell Duneier (Professor of Sociology, Princeton University), John Haworth (Director, George Gustave Heye Center, Smithsonian National Museum of the American Indian), Harriet Senie (Professor of Art History, CUNY Graduate Center), and John Kuo Wei Tchen (Founding Director, Asian/Pacific/American Institute).
Victoria Kneubuhl will be one of the featured writers at the Friends of Waialua Library’s annual Authors Night, 6:30-8:30 pm. Her new mystery, Murder Leaves Its Mark, will be of special interest to area residents since the old Haleiwa Hotel is a setting for the novel.
The Association for Asian Studies annual meeting is UH Press’ biggest scholarly exhibit/conference: 300 new and recent Asia books and journals will be on display and editorial and marketing staff will be attending. The Press’ publishing partners Ateneo de Manila University Press, Cornell University East Asia Program, KITLV Press, NIAS Press, NUS Press (Singapore), and University of the Philippines Press will be exhibiting in neighboring booths, in addition to newcomer MerwinAsia. See you in Toronto!
People outside and within colleges and universities often view these institutions as fair and reasonable, far removed from the inequalities that afflict society in general. Despite greater numbers of women, working class people, and people of color—as well as increased visibility for LGBTQ students and staff—over the past fifty years, universities remain “ivory towers” that perpetuate institutionalized forms of sexism, classism, racism, and homophobia. Transforming the Ivory Tower: Challenging Racism, Sexism, and Homophobia in the Academy, edited by Brett C. Stockdill and Mary Yu Danico, builds on the rich legacy of historical struggles to open universities to dissenting voices and oppressed groups. Each chapter is guided by a commitment to praxis—the idea that theoretical understandings of inequality must be applied to concrete strategies for change.
March 2012 / ISBN 978-0-8248-3526-2 / $39.00 (CLOTH)
Shōjo manga are romance comics for teenage girls. Characterized by a very dense visual style, featuring flowery backgrounds and big-eyed, androgynous boys and girls, it is an extremely popular and prominent genre in Japan. Why is this genre so appealing? Where did it come from? Why do so many of the stories feature androgynous characters and homosexual romance? Passionate Friendship: The Aesthetics of Girl’s Culture in Japan, by Deborah Shamoon, answers these questions by reviewing Japanese girls’ print culture from its origins in 1920s and 1930s girls’ literary magazines to the 1970s “revolution” shōjo manga, when young women artists took over the genre. It looks at the narrative and aesthetic features of girls’ literature and illustration across the twentieth century, both pre- and postwar, and discusses how these texts addressed and formed a reading community of girls, even as they were informed by competing political and social ideologies.
“In this engaging account, Deborah Shamoon forwards an innovative argument for taking the long view of girls’ culture. Rather than focusing narrowly on prewar or postwar production, she convincingly demonstrates the connections in theme, image, and tone that produce a genealogy of the Japanese girl (shōjo). With a keen eye to the visual representations of the shōjo, she points to the ways graphic artists express interiority, affection, and a frankly charming girlishness. She at the same time guides readers through the debates over readers’ and writers’ intentions, alleged subtexts of repression, and disparities in Western and Japanese critics’ approaches to shōjo display and fandom. Passionate Friendship is a remarkable contribution to the growing field of Girl Studies.”—Jan Bardsley, University of North Carolina
March 2012 / ISBN 978-0-8248-3542-2 / $27.00 (PAPER)
In early medieval China hundreds of Buddhist miracle texts were circulated, inaugurating a trend that would continue for centuries. Each tale recounted extraordinary events involving Chinese persons and places—events seen as verifying claims made in Buddhist scriptures, demonstrating the reality of karmic retribution, or confirming the efficacy of Buddhist devotional practices. Robert Ford Campany, one of North America’s preeminent scholars of Chinese religion, presents Signs from the Unseen Realm: Buddhist Miracle Tales from Early Medieval China, the first complete, annotated translation, with in-depth commentary, of the largest extant collection of miracle tales from the early medieval period, Wang Yan’s Records of Signs from the Unseen Realm, compiled around 490 C.E.
Classics in East Asian Buddhism
March 2012 / ISBN 978-0-8248-3602-3 / $65.00 (CLOTH)
Published in association with the Kuroda Institute