In Search of Korean Traditional Opera: Discourses of Ch’angguk, by Andrew Killick, is the first book on Korean opera in a language other than Korean. Ch’angguk is a form of musical theater that has developed over the last hundred years from the older narrative singing tradition of p’ansori. Killick examines the history and current practice of ch’angguk as an ongoing attempt to invent a traditional Korean opera form to compare with those of neighboring China and Japan. In this, the work addresses a growing interest within the fields of ethnomusicology and Asian studies in the adaptation of traditional arts to conditions in the modern world.
August 2010 / ISBN 978-0-8248-3290-2 / $48.00 (CLOTH)
A Study of the International Center for Korean Studies, Research Institute of Korean Studies, Korea University
The twenty-chapter novel The Three Sui Quash the Demons’ Revolt, is traditionally attributed to Luo Guanzhong (d. after 1364?), the alleged author of two of China’s most famous and beloved works of fiction, The Romance of the Three Kingdoms and The Water Margin. The Three Sui tells the story of the uprising of adherents of the Maitreya Buddha led by Wang Ze in 1047–1048. Wang Ze was eventually executed and all future heterodox activity outlawed. Paradoxically, The Three Sui treats the rebellion as an occasion for slapstick, baggy-pants humor in which facts are distorted and wildly mixed with fiction.
“Lois Fusek’s annotated translation of this neglected work of traditional Chinese vernacular fiction makes a significant contribution to our understanding and appreciation of that important body of work. Her work is of the very highest order and in draft form has invariably met with an enthusiastic response from students in my courses on Chinese literature at the University of Chicago. There is a wonderful lighthearted insouciance about this text that makes it virtually unique in the history of Chinese fiction, and it should attract not only students of the subject but anyone interested in narratology, the history of fiction, or a good read.” —David T. Roy, professor emeritus of Chinese literature at the University of Chicago and translator of the Chin P’ing Mei (titled The Plum in the Golden Vase)
August 2010 / ISBN 978-0-8248-3406-7 / $49.00 (CLOTH)
This is a thoroughly revised edition of Integrated Korean: Beginning 2, the second volume of the best-selling series developed collaboratively by leading classroom teachers and linguists of Korean. In response to comments from hundreds of students and instructors of the first edition, the new edition features a more attractive two-color design with all new photos and drawings and an additional lesson and vocabulary exercises. Lessons are now organized into two main sections, each containing a conversational text (with its own vocabulary list) and a reading passage. The accompanying workbook, newly written, provides students with extensive skill-using activities based on the skills learned in the main text.
Integrated Korean series
August 2010 / ISBN 978-0-8248-3515-6 / $28.00 (PAPER)
Audio files for both the textbook and workbook may be downloaded in MP3 format at http://www.kleartextbook.com.
Since the mid-1990s, Taiwan’s unique brand of Mandopop (Mandarin Chinese–language pop music) has dictated the musical tastes of the mainland and the rest of Chinese-speaking Asia. Cries of Joy, Songs of Sorrow: Chinese Pop Music and Its Cultural Connotations, by Marc L. Moskowitz, explores Mandopop’s surprisingly complex cultural implications in Taiwan and the PRC, where it has established new gender roles, created a vocabulary to express individualism, and introduced transnational culture to a country that had closed its doors to the world for twenty years.
August 2010 / ISBN 978-0-8248-3422-7 / $24.00 (PAPER)