Indonesian Grammar in Context: Asyik Berbahasa Indonesia
written by Ellen Rafferty, Molly Burns, and Shintia Argazali-Thomas
2014 | 264 pages
Paper | ISBN 978-0-8248-3575-0 | $32.00
Published in association with NUS Press
The three volume text, Asyik Berbahasa Indonesia: A Grammar Practice Text, offers a communicative approach to the learning of the basic grammatical structures of Indonesian. Students become engaged in task-based activities set in life-like situations as they read, write and speak Indonesian. A set of online recordings of the opening segments reinforces the grammatical form as the student listens to the dialogue or text in a natural discourse setting. In addition, cultural notes at the end of the lessons allow the student to explore the relationship between language use and socio-cultural values and customs.
Audio files for this volume may be downloaded in MP3 format at http://www.indonesiantextbooks.wisc.edu
NEW RELEASE and EVENT
Modern Ink: The Art of Qi Baishi
written by Britta Erickson, Craig Yee, and Jung Ying Tsao
2014 | 144 pages, 109 color illustrations
Paper | ISBN: 978-0-8248-4766-1 | $38.00
Published in association with Marquand Books and the Mozhai Foundation
Coinciding with today’s opening of Qi Baishi’s work at the Honolulu Museum of Art, UH Press is releasing an impressive new volume filled with color illustrations of his work.
Born into a poor farming family and coming of age during China’s century of civil strife, Qi Baishi transformed the elite brush art of China’s literati scholars into a universal art form appreciated by people of all social backgrounds. His distinctly modern art language breaks through class and cultural barriers through use of expressive “carved” brushwork, juxtaposition of vibrant colors against deep and rich ink tones, poetic economy in form and composition, and choice of emotionally resonant subject matter. For these reasons, Qi Baishi’s art is the ideal gateway through which art lovers of any class or culture can learn about the millenia-old tradition of Chinese brush painting.
The exhibition closes on January 25, 2015.
Transpacific Studies: Framing an Emerging Field
edited by Janet Hoskins and Viet Thanh Nguyen
2014 | 236 pages
Paper | ISBN 978-0-8248-3998-7 | $25.00
Cloth (Print on Demand) | ISBN 978-0-8248-3994-9 | $56.00
Intersections: Asian and Pacific American Transcultural Studies
Recognizing the increasing importance of the transpacific as a word and concept, this anthology proposes a framework for transpacific studies that examines the flows of culture, capital, ideas, and labor across the Pacific. These flows involve Asia, the Americas, and the Pacific Islands. Transpacific studies sheds light on the cultural and political movements, artistic works, and ideas that have arisen to contest state, corporate, and military ambitions. In sum, the transpacific as a concept illuminates how flows across the Pacific can be harnessed for purposes of both domination and resistance.
UH Mānoa professor Jonathan Okamura will speak today, September 30, 3:00–4:15 p.m. at George Hall 301, as part of the Department of Ethnic Studies Fall Colloquium series. He will address select topics from his new book, From Race to Ethnicity: Interpreting Japanese Experiences in Hawai‘i and its relevancy to the most recent primary election.
2014 | 248 pages
Cloth | ISBN 978-0-8248-3950-5 | $42.00
Race and Ethnicity in Hawai‘i
NEW RELEASE | First in Paper
Remaking Chinese Cinema: Through the Prism of Shanghai, Hong Kong, and Hollywood
written by Yiman Wang
2013 | 232 pages
Paper | ISBN 978-0-8248-5107-1 | $27.00
Cloth | ISBN 978-0-8248-3607-8 | $49.00
“Yiman Wang establishes new paradigms for studying Chinese cinema. Tracing how films were adapted and remade across borders from the 1930s to the present, the book demonstrates the strong bonds among film industries in the Pacific rim, and especially among Chinese-speaking countries. Wang contributes to the cutting-edge field of Sinophone studies, which challenges the notion of cinemas defined by the nation-state. Wang brings rare expertise as she straddles China studies and film studies, drawing on theories of national formation and film reception. The book relies on rich archival research in China, Hong Kong, and the U.S. and should be read by all interested in the transnational circulation of words and images.” —Yomi Braester, University of Washington