2014 | 122 pages
Cloth | ISBN 978-0-8248-4008-2 | $55.00
Paper | ISBN 978-0-8248-3951-2 | $20.00
Published in association with Hong Kong University Press
“These essays and dispatches provide an eloquent and unfiltered glimpse into how the ruling Communist Party has transformed the Tibetan plateau through decades of heavy-handed policies.”
—Andrew Jacobs, Beijing correspondent for The New York Times
“Violet S. Law’s fluid translations of Woeser and Wang Lixiong’s powerful and deeply humane writings, combined with Robert Barnett’s insightful and elegantly crafted introduction, make for an extraordinarily effective volume.Voices from Tibet is a must-read for anyone eager to learn more about the Tibetan people and their struggles.”
—Jeffrey Wasserstrom, author of China in the 21st Century
Please visit us to see our latest titles and take advantage of the conference offer of a 20% discount and free shipping in the U.S. Free shipping applies only to orders received or placed at the conference.
We have a larger than usual contingent attending: UHP director Michael Duckworth; editors Patricia Crosby, Pamela Kelley, and Stephanie Chun; marketing director Colins Kawai; and sales manager Royden Muranaka. Please visit us at booths 110-116 to see our latest titles and take advantage of the conference offer of a 20% discount and free shipping in the U.S. (Free shipping applies only to orders received or placed at the conference.) Our new Asian Studies print catalog will also be distributed.
Although architecture continually responds to ascetic compulsions, as in its frequent encounter with the question of excess and less, it is typically considered separate from asceticism. In contrast, The Hermit’s Hutoffers original insight and explores the rich and mutual ways in which asceticism and architecture are played out in each other’s practices. Relying primarily on Buddhist materials, author Kazi K. Ashraf provides a complex narrative that stems from the simple structure of the hermit’s hut, showing how the significance of the hut resonates widely and how the question of dwelling is central to ascetic imagination. In exploring the conjunctions of architecture and asceticism, he breaks new ground by presenting ascetic practice as fundamentally an architectural project, namely the fabrication of a “last” hut.
This innovative book weaves together the fields of architecture, anthropology, religion, and philosophy to offer multidisciplinary and historical insights. It will appeal to readers with diverse interests and in a variety of disciplines—whether one is interested in the history of ascetic architecture in India, the concept of “home” in ancient India, or the theme of the body as building.