Posted by UH Press Marketing on 17 April 2014
How can we qualify slowness in cinema? What is the relationship between a cinema of slowness and a wider sociocultural “slow movement”? A body of films that shares a propensity toward slowness has emerged in many parts of the world over the past two decades. This is the first book to examine the concept of cinematic slowness and address this fascinating phenomenon in contemporary film culture.
Providing a critical investigation into questions of temporality, materiality, and aesthetics, and examining concepts of authorship, cinephilia, and nostalgia, Song Hwee Lim offers insight into cinematic slowness through the films of the Malaysian-born, Taiwan-based director Tsai Ming-liang. Through detailed analysis of aspects of stillness and silence in cinema, Lim delineates the strategies by which slowness in film can be constructed. By drawing on writings on cinephilia and the films of directors such as Abbas Kiarostami, Hou Hsiao-hsien, and Nuri Bilge Ceylan, he makes a passionate case for a slow cinema that calls for renewed attention to the image and to the experience of time in film.
Tsai Ming-liang and a Cinema of Slowness will speak to readers with an interest in art cinema, queer studies, East Asian culture, and the question of time. In an age of unrelenting acceleration of pace both in film and in life, this book invites us to pause and listen, to linger and look, and, above all, to take things slowly.
Written by Song Hwee Lim
2014 | 240 pages | 29 illustrations
ISBN: 978-0-8248-3684-9 | $45.00s | Cloth
Posted in art & visual culture, Asia, Uncategorized | Comments Off
Posted by UH Press Marketing on 15 April 2014
University of Hawai‘i Press is exhibiting at two conferences this week, showcasing new and recent titles from our Spring catalog as well as our Asian Studies catalog.
In San Francisco from April 16-19 at the Grand Hyatt for the Association for Asian American Studies Conference, acquisitions editor Masako Ikeda will be available to meet with prospective authors.
In Chicago, editor Stephanie Chun will be at the Popular Culture Association/American Culture Association Conference from April 16-19 at the Marriott Chicago.
Some titles to look out for at both meetings: From Fu Manchu to Kung Fu Panda: Images of China in American Film, Scrutinized!: Surveillance in Asian North American Literature, Dubious Gastronomy: The Culture Politics of Eating Asian in the USA, and Capturing Contemporary Japan: Differentiation and Uncertainty.
Please visit us to see our latest titles and take advantage of the conference offer of a 20% discount and free shipping in the U.S. Free shipping applies only to orders received or placed at the conference.
Posted in art & visual culture, Asia, Asian & Pacific American studies, catalogs, China, cultural studies, exhibits, Japan, Korea, Okinawa, South Asia, Southeast Asia | Tagged: American Culture Association Conference, annual meeting, Association for Asian American Studies, conferences, Popular Culture Association Conference | Comments Off
Posted by UH Press Marketing on 8 April 2014
Recasting Red Culture turns a critical eye on the influential proletarian cultural movement that flourished in 1920s and 1930s Japan. This was a diverse, cosmopolitan, and highly contested moment in Japanese history when notions of political egalitarianism were being translated into cultural practices specific to the Japanese experience. Both a political and historiographical intervention, the book offers a fascinating account of the passions—and antinomies—that animated one of the most admirable intellectual and cultural movements of Japan’s twentieth century, and argues that proletarian literature, cultural workers, and institutions fundamentally enrich our understanding of Japanese culture.
Weaving over a dozen translated fairytales, poems, and short stories into his narrative, Samuel Perry offers a fundamentally new approach to studying revolutionary culture. By examining the margins of the proletarian cultural movement, Perry effectively redefines its center as he closely reads and historicizes proletarian children’s culture, avant-garde “wall fiction,” and a literature that bears witness to Japan’s fraught relationship with its Korean colony. Along the way, he shows how proletarian culture opened up new critical spaces in the intersections of class, popular culture, childhood, gender, and ethnicity.
Written by Samuel Perry
2014 | 248 pages | 12 illustrations
ISBN: 978-0-8248-3893-5 | $49.00s | Cloth
Posted in Asia, history, Japan, literature, politics & government | Comments Off
Posted by UH Press Marketing on 3 April 2014
This collection explores built environments and visual narratives in Asia via cartography, icons and symbols in different historical settings. Architecturalized Asia grows out of a three-year project focusing on cultural exchange in the making of Asia’s boundaries as well as its architectural styles and achievements. The editors — architectural scholars at University of Delaware, Seattle University, University of Washington and Harvard University, respectively – attracted contributions from Asia, Europe, and North America.
The manuscript consists of three sections – in Mapping Asia: Architectural Symbols from Medieval to Early Modern Periods, authors examine icons and symbols in maps and textual descriptions and other early evidence about Asian architecture. Incorporating archival materials from Asia and Europe, the essays present views of Asian architecture seen from those who lived on the continent, those who saw themselves residing along the margins, and those who identified themselves as outsiders. The second section, Conjugating Asia: The Long-Nineteenth Century and its Impetus, explores the construction of the field of Asian architecture and the political imagination of Asian built environments in the nineteenth century. It discusses the parallel narratives of colonialism and Orientalism in the construction of Asia and its architectural environment, mapping how empire-expanding influences from Europe and North America have defined “Asia” and its regions through new vocabularies and concepts, which include, among others, “Eurasia,” “Jap-Alaska,” “Asie coloniale,” “the Orient,” and “Further India.” The third section, Manifesting Asia: Building the Continent with Architecture, addresses the physical realization of “Asian” geographic ideas within a set of specific local and regional contexts in the twentieth century. It examines tangible constructions as legible documents of these notional constructions of Asia, and discusses their construction processes, materials and critical receptions as evidence of the physical’sreciprocal relationship to the conceptual. Regions and conditions covered include French Indochina, Iran, post-Soviet Central Asia, Japanese landscape, and the construction of theAfro-Asian built environment.
Edited by Vimalin Rujivacharakul, H. Hazel Hahn, Ken Tadashi Oshima, and Peter Christensen
Spatial Habitus: Making and Meaning in Asia’s Architecture
2014 | 324 pages
ISBN: 978-0-8248-3952-9 | $55.00s | Cloth
Posted in architecture, Asia, history | Tagged: Hong Kong University Press, Spatial Habitus: Making and Meaning in Asia's Architecture | Comments Off
Posted by UH Press Marketing on 2 April 2014
What are people’s life experiences in present-day Japan? Capturing Contemporary Japan addresses fundamental questions vital to understanding Japan in the first decade of the twenty-first century. Its chapters collectively reveal a questioning of middle-class ideals once considered the essence of Japaneseness. In the postwar model household, a man was expected to obtain a job at a major firm that offered life-long employment; his counterpart, the “professional” housewife, managed the domestic sphere and the children, who were educated in a system that provided a path to mainstream success.
Contributors draw on rich, nuanced fieldwork data collected during the 2000s to examine work, schooling, family and marital relations, child rearing, entertainment, lifestyle choices, community support, consumption and waste, material culture, well-being, aging, death and memorial rites, and sexuality. The voices in these pages vary widely: They include schoolchildren, teenagers, career women, unmarried women, young mothers, people with disabilities, small business owners, organic farmers, retirees, and the elderly.
Edited by Satsuki Kawano, Glenda S. Roberts, and Susan Orpett Long
2014 | 376 pages | 12 illustrations
ISBN: 978-0-8248-3868-3 | $55.00s | Cloth
ISBN: 978-0-8248-3869-0 | $25.00s | Paper
Posted in Asia, Japan | Comments Off
Posted by UH Press Marketing on 1 April 2014
Chang-rae Lee’s Native Speaker, Kerri Sakamoto’s The Electrical Field, Don Lee’s Country of Origin, Mohsin Hamid’s The Reluctant Fundamentalist, Susan Choi’s A Person of Interest. These and a host of other Asian North American detection and mystery titles were published between 1995 and 2010. Together they reference more than a decade of Asian North America monitoring that includes internment, campaign financing, espionage, and post-9/11 surveillance. Monica Chiu reveals how Asian North American novels’ fascination with mystery, detection, spying, and surveillance is a literary response to anxieties over race.
Scrutinized! is broadly about oversight and insight. The race policing of the past has been subsumed under post-racism—an oversight based on a persistent visual construction of race. Readers revisit Oriental visions, or Asian stereotypes, and then encounter official documentation on major events, such as the Japanese American and Japanese Canadian internment. The former visions, which endure, and the latter documents, diplomatically forgotten, shape how Asian subjects were and are scrutinized and to what effect. They determine which surveillance images remain emblazoned in a nation’s collective memory and which face political burial.
2014 | 208 pages
ISBN: 978-0-8248-3842-3 | $45.00s | Cloth
Intersections: Asian and Pacific American Transcultural Studies
Posted in Asia, Asian & Pacific American studies, literature | Tagged: Intersections: Asian and Pacific American Transcultural Studies | Comments Off
Posted by UH Press Marketing on 26 March 2014
Timed to coincide with the Association for Asian Studies annual meeting, our Asian Studies 2014 catalog of recent and forthcoming titles is now available. Books published prior to 2013 and currently in print can be found at our website.)
To download the PDF (6.3M), click on the catalog cover image to the left or go to: http://uhpress.wordpress.com/latest-catalogs/. If you wish to receive a print version, please write to us by clicking here.
Posted in Asia, catalogs, China, Japan, Korea, Okinawa, press news, South Asia, Southeast Asia | Comments Off
Posted by UH Press Marketing on 25 March 2014
University of Hawai‘i Press is exhibiting at the Association for Asian Studies Annual Conference, March 27-30, held this year at the Philadelphia Marriott Downtown hotel.
We have a larger than usual contingent attending: UHP director Michael Duckworth; editors Patricia Crosby, Pamela Kelley, and Stephanie Chun; marketing director Colins Kawai; and sales manager Royden Muranaka. Please visit us at booths 110-116 to see our latest titles and take advantage of the conference offer of a 20% discount and free shipping in the U.S. (Free shipping applies only to orders received or placed at the conference.) Our new Asian Studies print catalog will also be distributed.
Exhibiting across the aisle from us are publishing partners: Cornell University East Asia Program (booth 111), MerwinAsia and Seoul Selection (booth 113), NIAS Press-Nordic Institute of Asian Studies (booth 117), and NUS Press-Singapore (booth 115).
See you in Philly!
Posted in Asia, China, exhibits, Japan, Korea, Okinawa, press events, press news, South Asia, Southeast Asia | Tagged: annual meeting, Association for Asian Studies, conferences | Comments Off
Posted by UH Press Marketing on 14 March 2014
The inaugural title in the Food in Asia and the Pacific series—
California roll, Chinese take-out, American-made kimchi, dogmeat, monosodium glutamate, SPAM—all are examples of what Robert Ji-Song Ku calls “dubious” foods. Strongly associated with Asian and Asian American gastronomy, they are commonly understood as ersatz, depraved, or simply bad. In Dubious Gastronomy, Ku contends that these foods are viewed similarly to Asians in the United States, in that the Asian presence, be it culinary or corporeal, is often considered watered-down, counterfeit, or debased manifestations of the “real thing.” The American expression of Asianness is defined as doubly inauthentic—as insufficiently Asian and unreliably American when measured against a largely ideological if not entirely political standard of authentic Asia and America.
In critically considering the impure and hybridized with serious and often whimsical intent, he argues that while the notion of cultural authenticity is troubled, troubling, and troublesome, the apocryphal is not necessarily a bad thing: The dubious can be and is often quite delicious.
Posted in American studies, Asia, Asian & Pacific American studies, cultural studies | Tagged: Food in Asia and the Pacific, food studies | Comments Off
Posted by UH Press Marketing on 7 March 2014
In Exhibiting the Past: Historical Memory and the Politics of Museums in Postsocialist China, Kirk Denton analyzes types of museums and exhibitionary spaces: from revolutionary history museums, military museums, and memorials to martyrs to museums dedicated to literature, ethnic minorities, and local history. He discusses red tourism—a state sponsored program developed in 2003 as a new form of patriotic education designed to make revolutionary history come alive—and urban planning exhibition halls, which project utopian visions of China’s future that are rooted in new conceptions of the past. Denton’s method is narratological in the sense that he analyzes the stories museums tell about the past and the political and ideological implications of those stories.
Focusing on “official” exhibitionary culture rather than alternative or counter memory, Denton reinserts the state back into the discussion of postsocialist culture because of its centrality to that culture and to show that state discourse in China is neither monolithic nor unchanging. The book considers the variety of ways state museums are responding to the dramatic social, technological, and cultural changes China has experienced over the past three decades.
Posted in Asia, China, cultural studies, history, urban planning | Comments Off